Friday, 18 May 2018
An R rated film starring a Marvel hero who perhaps isn't the most well known among the general public - and yet 2016's Deadpool found itself one of the year's most successful films, and most of us will say such an accolade doesn't go undeserved. Helmed by Ryan Reynolds' charmingly foul performance as the titular antihero, it's balance of well structured humour and epic set pieces arguably makes it one of the most original superhero films in recent times - a sequel was always inevitable considering it's profitable potential, but thankfully it's more than just a quick cash grab.
The story involves the audience quite literally in a sense - a plot burdened by lazy writing (as Deadpool himself enjoys claiming) begins with the tragic death of Wilson's true love Vanessa and his befriending of rebellious mutant kid Russell (Julian Dennison) when thrown in the "Icebox" detainment unit - all this coincides with the rise of a new villain known as Cable (Josh Brolin), who journeys from the future to seek vengeance on those responsible for destroying his own.
Deadpool 2 adopts the same charms as it's predecessor and in many ways improves upon them with even wittier, perfectly timed gags, from violent slapstick to a number of hilarious one liners - much of it certainly not for the faint of heart. But while it's narrative isn't without fault, mainly it's final act dragging a tad at times, there's a surprising amount of thought put into it in a way that makes this once again more than a tonnage of random giggles; many things may feel cliché, but the film embraces this in a perfect way to benefit it's sense of humour without it feeling like a forced attempt to justify, well, lazy writing.
This is all blended with the right amount of gripping action sequences which, humour aside, do offer their fair share of genuine thrills providing you're able to stomach some of the incredibly graphic violence. Perhaps the films' biggest perk is once again the central performance by Reynolds himself - the rebellious badass finds himself just as loveable as he was in the original, his bitter outlook on life and it's consequential influence on his questionable acts of not quite heroism adding up to the majority of the film's biggest laughs. Perhaps the focus is largely pinned on him much more so than the many other supporting roles, but said supporting characters still mustn't go unnoticed - familiar faces like T.J. Miller and Leslie Uggams among many others support Reynolds in many of the funniest scenes, and Josh Brolin finds himself performing strongly (and hilariously) in another villainous Marvel role, despite his character feeling a little forgettable at times.
If my endless waffling hasn't made it apparent yet, Deadpool 2 is a hilarious and suitably action packed superhero flick, with a strong script brought to life through a superb cast and excellent visual effects. It's not for everyone, but after seeing the original's unexpected rise to immense fame, it seems to still clicks with quite a lot of us - and rightfully so.
Sunday, 6 May 2018
Another money making machine from Marvel arrives - Avengers: Infinity War has the iconic heroes face arguably their toughest foe yet, the power hungry Thanos (Josh Brolin), who seeks to acquire all the legendary Infinity Stones to gain control of reality itself. Dozens of previous MCU films have built up to this gargantuan story, evident when you see just how many heroes are blended together in comparison to the first film back in 2012. For those who may not even be the biggest fans of this ever expanding franchise, this certainly remains a superhero thrill ride worth checking out.
The MCU has been somewhat on and off for me in recent times - for every brilliant entry, there seems to be an equal amount of mediocre and sometimes downright awful ones. Sometimes I fear many more recent entries seek to do nothing other than to build up the story to these epic ensemble blockbusters. With this is mind, Infinity War thankfully doesn't feel like a forced blockbuster blending many iconic heroes together to simply turn a truck sized profit; while not without it's faults, it's a largely well structured, thrilling adventure that, as has been said by many viewers and critics, never forgets the necessary depth and humanity required to make this more than a mishmash of chaotic battle scenes.
Infinity War is of course a film that prides itself on superb special effects, and said special effects are handled masterfully. Be it the incredible motion capture on the likes of Brolin as Thanos, or simply the lineup of stunning action sequences, it maintains the MCU's legacy of having some of the best visual thrills since Iron Man kicked things off over a decade ago now. Yeah, some of it's action scenes may drag at times, and perhaps become somewhat samey as we approach the conclusion, but it doesn't stop the from being enjoyable; and within them as we near the finale come a fair share of interesting twists and turns in the overall story, helping to keep us hooked even further.
The cast is also without a doubt one of the film's finest merits, many will agree. Our favourite MCU stars from previous hits are back, with a solid chemistry between one another that helps their interactions feel far less forced. It's Josh Brolin of course who stands out , at least in my eyes, not only due to the brilliant aforementioned motion capture effects but also his sinister yet emotionally stirring performance as one of the best villains in a superhero film to date. His talent thrives for sure, but such praise is also earned by the majority of the actors it can be said - ranging from beloved Downey, Jr. to more recent arrivals like Chadwick Boseman. I won't grossly defend every inevitable flaw - things do get a bit jumbled as we near the end, and there are flashes of excessive silliness at very awkward moments, but all in all Marvel brings us another exciting, largely well structured blockbuster. One can now only look forward to where the plot takes us next...
Sunday, 15 April 2018
Horror is certainly one of the most difficult genres to tackle in this day and age - genuinely scaring the audience without spamming repetitive jump scares or creating inadvertent giggles is tricker than it sounds, and so many horror flicks in modern cinema are consequently met with mixed results. However, every so often a rare gem comes along, one absorbing, narratively compelling, and equally thrilling; one such gem has now arrived in the form of A Quiet Place, at the hands of acclaimed actor and now rising director Josh Krasinski.
A Quiet Place doesn't go into it's premises backstory with extensive detail, which isn't perhaps hugely necessary but may yield mixed results for many; in 2020, humanity finds itself largely wiped out at the hands of a group of powerful monsters with remarkable hearing skills. The Abbott family finds themselves one of very few survivors in the wasteland around them, communicating through sign language and scavenging secretly for supplies to prevent detection from the creatures hunting them down.
Again, not a huge amount of backstory is explored, which will confuse and maybe frustrate some viewers, but in the end such unaddressed concepts don't prove too detrimental to the overall story. In fact, many other key factors are indeed explained through subtle methods, such as brief glances at newspaper headlines within the Abbott's home; a clever if sometimes incomplete method of storytelling. Such subtlety also helps the unsettling moments nicely prosper; A Quiet Place certainly earns it's place within the horror genre, crafting a gripping atmosphere that'll keep viewers on the edge of their seats, and restricting the jump scares to moments that are genuinely freaky, not just a cheap barrage of loud noises.
What helps such a thrilling vibe prosper even more is of course the efforts of the cast themselves; Krasinski stars at the Abott father, Lee, alongside Emily Blunt as mother Evelyn, Noah Jupe as son Marcus, and Millicent Simmonds as daughter Regan. Their chemistry and development is strongly managed, bringing to life a number of heartwarming and equally heartbreaking moments as the story slowly unfolds. As for our main villains, their disturbing design and limited visibility for most of the story arguably benefits their intimidating presence, but they thankfully remain just as outright terrifying when seen up close on several occasions; it's this coupled with the overall pale and sombre visual design of the ruined Earth that makes all the scares occurring within it even more fitting and effective. Such traits all in all render A Quiet Place one of the best horror films modern cinema has seen in a long time without a doubt, and one any fan of the genre must check out as soon as they can.
Sunday, 25 March 2018
Hollywood loves it's sequels - but it seemed strange to many that Guillermo del Toro's Pacific Rim of all films earned itself a sequel five years after release, considering it's extremely weak domestic earnings and fairly average global earnings of $409 million, rendering it far from a commercial failure but not exactly record breaking considering it's naturally colossal budget. With it's US opening weekend set to barely reach $30 million, it seems this year's Pacific Rim Uprising will also be relying on international takings to being recouping it's beastly costs. Reviews have also been less inspired than the original; is such mediocre reception deserved?
Set in 2030, a decade after the original, Uprising focuses on Jake Pentecost (John Boyega), the son of acclaimed war hero Stacker Pentecost, who earns a living selling Jaeger tech on the black market, which soon leads him to a hidden independently made Jaeger built at the hands of young orphan Amara Namani (Cailee Spaeny). Both eventually find themselves captured by the authorities and escape prison with an alternative to join the Jaeger program itself, a familiar and unwanted sight for Jake, which finds itself thrown into action once again when a number of unexplained rogue Jaeger's begin to reek havoc, linking to even bigger threat that ignites the return of the menacing Kaiju monsters and their sinister goals for world domination.
Uprising of course isn't going to win any awards for it's story - probably an obvious claim for those who've even yet to see it. However, what's interesting is the path the narrative takes as things get going, becoming more than a simple rehash of the first movie. There's a decent level of heart to it, and while it's emotional moments are cliché for sure, the cast portray such moments with solid performances, notably Boyega and Spaeny in their lead roles, and the morals conveyed are relatively touching if somewhat uninspired. It's this that makes the story a decent skeleton to link each of the inevitably gripping action sequences, and while a number of contrivances and daft plot twists do certainly pop up out of the blue as we approach the climax, it's all still, again, just that bit more than a dull rehash of the first movie.
Of course action and visual effects is where Uprising does stand out in an impressive fashion. The Jaeger's pummelling each other in many epic bust ups, mercilessly trashing every environment that surrounds them, equates to some superb set pieces that naturally make for the film's best moments. Some may certainly feel dragged out, and perhaps a little repetitive, but if you come to see the film it's arguably these scenes you're here to focus on, and they surely won't disappoint most fans. It's all brought to life, as with the original, some remarkable visual effects; Jaeger's not only look fantastic, but are animated just as superbly - and of course, IMAX is definitely how the film was meant to be viewed, as may seem obvious. It's story may be second rate to many, but at least there's a fairly decent amount of effort put into it, and, as I've made quite clear by now, the set pieces we're treated to alone will make Uprising worth watching for fans of such stuff.
Tuesday, 6 March 2018
A premise I was certainly excited to see unfold when the first trailers came to my attention, Game Night sees a group of friends whose most recent weekly, well, game night, becomes something much more dramatic when a staged murder mystery soon evolves into one quite the opposite; with lives at stake and major criminals behind the scenes, it's now down to said friends to piece together exactly what is going on and put a stop to it before major repercussions soon come to fruition.
Leads Jason Bateman and Rachel McAdams helm most of the story, supported by a lineup of similarly talented actors - Kyle Chandler, Jesse Plemons, and many more. Said well chosen cast help bring many of the film's best moments to life without a doubt, particularly Chandler and Bateman as long lasting sibling rivals. Whilst I'd love to of course say the same about McAdams given her role as Bateman's wife, it's hard to remain as interested in her persona at times given her occasionally excessive, hyperactive nature, rendering her an irritating listen in many scenes.
Whilst the overall cast is certainly decent and visibly talented, and all perform their roles without any major flaws, it's only really our aforementioned leads Bateman, McAdams (when not bellowing every comedic line), Chandler, and Plemons that stand out for the majority of the story. Of course supporting roles don't require as strong a focus on development, but the outright lack of it in areas also leaves some of the other characters extremely forgettable and somewhat bland at first. Similar flaws also extend into the overall story, which arguably drags a little during it's opening moments, courtesy of a sluggish pace and somewhat repetitive humour; it comes and goes without an awful lot of charm, but thankfully such standout flaws largely brush off as we venture into the meat of the story...
While I struggled to find the overall viewing as much of a consistent gem like many others did, it's certainly the second half where the story becomes just that little bit more involving, presenting us with many cleverly structured plot twists and balancing witty humour with some genuine thrills as the climax approaches - this is of course where our cast, despite their flaws, really pull off their best efforts, thus perfectly bringing a well structured finale to life. Of course one doesn't expect the introductory moments of the film to be in a similar category of excitement, but it's a shame Game Night isn't really as interesting when it begins as it is when it ends - for the most part, it starts off samey and boring, morphing into something far more engaging as it progresses, thus making it a fairly decent if unbalanced viewing for the most part.