Sunday 17 September 2017

RETROSPECT - Most Anticipated Films of 2017

As the year begins, I of course have my most anticipated cinematic releases, once again all noted in my original list you can find here. Now, after seeing It just last week, I have my opinions on all five films - and so here's my ranking of them not in terms of hype but now overall quality.

#5 - Pirate's of the Caribbean: Dead Men Tell No Tales

The Pirates of the Caribbean franchise has always been commercially successful but never the most critically acclaimed; this year's Dead Men Tell No Tales certainly doesn't find itself in any better circumstances, in fact in even worse ones considering it's even weaker box office earnings. I've always been a big fan of the series, perhaps On Stranger Tides less so, but it's this installment that certainly deters my interest for any future sequels and makes it very evident that there's just no real creative potential to keep going.

The key issue is just the story itself. Not only is it weak when you view it altogether, but it's so badly developed that even over an hour into the film it's hard to fully piece together what exactly is going on and why. Javier Bardem performs well as villain Salazar, but the character is so poorly structured that he holds little interest outside of a cool design and Bardem's solid acting. Indeed, outside of the impressive visual effects and occasional charms of Johnny Depp (who clearly isn't interested anymore), Pirates of the Caribbean: Dead Men Tell No Tales is simply just as bloated and awkwardly structured as it's title.

#4 - Spider-Man: Homecoming

I've made it quite apparent by now that I hated Tom Holland as Spidey in last year's Captain America: Civil War. Hell, the entire film I found fairly average considering it's glowing reviews, but it was both Spidey's forced integration and bloody irritating persona that made my appreciation for the film dwindle even lower as the climax approached. It wasn't so much Holland's acting as it was the weak development and writing the character fell victim to - not a good starting point for a very big moment in the series.

But that didn't detract from my interest in the character's first sole entry in the franchise, and whilst the finished product is far from the best the MCU has to offer, it's a pleasing step forward from the iffy Amazing series with some superb visuals, a strong cast, and an entertaining if somewhat underdeveloped villain. It's also satisfying to see Tony Stark have a genuine significance in the overall narrative - trailers and posters of course made it seem like he was a forced integration of the MCU's biggest icon in order to generate more hype, but thankfully this is not the case. The overall story flows nicely and is backed by some gripping set pieces, making Homecoming the debut Spidey really deserves in this monster of a franchise.

#3 - Beauty and the Beast

With earnings of over $500 million in the US and $1.2 billion globally, Beauty and the Beast ranks as the highest grossing film of the year - such an accolade doesn't go undeserved, even if the film isn't without fault. Disney look set to revisit more and more of their classic animated hits in live action as time goes on, and Beauty and the Beast is largely a decent example of how this can be done right when you're working with some of the most treasured material of all time. The film's overall visual design is a superb live action reimagining of the original's vivid animation, and a strong cast help bring it to life even further - perhaps my only grudge with said cast is Emma Watson who, despite visible effort, doesn't really capture the role of Belle...a problem that evolves into something even uglier when you hear that dreadful electronic singing voice of hers. In fact, whilst many of the songs are nice modern updates of the originals, most of them lack the majesty and charm, feeling too often like actors who really can't sing awkwardly forcing themselves to do so - a sort of Mamma Mia scenario, if not quite that bad.

One actor not doing an amazing job isn't the end of the world, but of course is a little more serious if it's the lead protagonist. Still, Watson has her moments, and is far from terrible - just miscast if I give my honest opinion. It's the supporting cast of Ewan McGregor, Ian McKellen, Emma Thomas, and Luke Evans to name a few that adopt their roles perfectly, and of course the same can be said for Dan Stevens as the Beast himself. The effects used to animated many of the side characters, who also have new designs that feel fresh yet loyal to the originals, are just as superb, and thus the finished product is one that can never live up to the original but still an entertaining and heartfelt experience.

#2 - It

Based on Stephen King's acclaimed horror novel, It ranked as my most anticipated film for the entire year - and it sure didn't disappoint. Already the film has won over countless audiences, achieving a record breaking opening weekend for the entire horror genre and rivalling some of the biggest superhero blockbusters in terms of it's ongoing domestic earnings. Arguably the most impressive aspect of the film at first glance is of course one Bill Skarsgard in the role of Pennywise the Dancing Clown; his performance is beastly and extremely frightening in many scenes and this, coupled with an impressive and stylishly dark production design, equates to an absorbing and chilling experience.

But his acting isn't the only merit. The protagonists of several young teens dubbed The Loser's Club perform admirably considering their age - something never easy to master for such young characters with extremely complex development. This, alongside a very engaging story, all helps render It a benchmark in modern horror that proves also how important it is to entertain the audience outside of just decent scares.

#1 - War for the Planet of the Apes

It's a shame to see the latest entry to the rebooted Planet of the Apes series struggling to achieve the success of it's predecessors. With only $370 million in worldwide earnings, as opposed to $710 million from it's predecessor three years ago, the epic nature and element of finality to the narrative clearly wasn't enough to win over similarly large audiences. On the critical side, however, War for the Planet of the Apes has not failed one bit, and it's thoroughly deserving of all the praise it has earned - I could now easily class this one of my favourite trilogies in film history.

War builds upon the high stakes that the ending of Dawn generated, with the apes now battling the humans to determine Earth's dominant species now that all chances for peace are lost. However, whilst there's plenty of action and visual thrills, this is also a film with an intelligent, thoughtful story - so much so that long periods without action never become boring, in fact just as interesting when we see the story advance with all sorts of twists and turns. Andy Serkis also helms a fantastic cast with another masterful motion capture performance as Caesar, who again has the same engaging characterization as before - if you've yet to see this film, or in fact either of it's predecessors, that is a fault you must rectify as soon as possible.

Thanks for reading!

Monday 11 September 2017

Movie Review - It

The name Stephen King is surely not foreign to most audiences. One of the most renowned yet also most challenging authors of all time, King is known for his complex novels of often formidable length, of which over 50 exist, that tackle all sorts of unique themes across all kinds of genres - though of course, King has usually been branded the master of horror, with his 1988 novel It undoubtedly being one of his most famous horror works. Telling the story of an evil entity haunting a small town every three decades, It found itself originally adapted for television in 1988 with an iconic lead performance by Tim Curry, and now enjoys it's first theatrical release with one Bill Skarsgard taking on the lead role of It it...uh, well, itself.

It's plot is simple enough to grasp but still has a lot of depth - the eponymous evil primarily appears in the form of a twisted clown named Pennywise, attracting it's preferred prey of young children, yet it's shapeshifting capabilities allow it to exploit the phobias of it's victims to break them down into more vulnerable states. The central victims eventually become a group of seven children who meet up through their less than renowned social status, dubbing themselves The Losers Club, who soon make it their goal to piece together the exact origins of the monster pursuing them and find a way to put an end to it's malicious actions. This narrative is both complex and heartfelt, capturing the emotions of the numerous characters nicely and developing them all with a refined attention to detail for the most part - the twists and turns we experience also make the story more engaging as it moves along, making this a horror film that relies on more than just scares to entertain the audience.

Undoubtedly the key highlight of It at first glance is Skarsgard as Pennywise - comparing him to the highly acclaimed performance of Tim Curry in the original would be crude considering their vastly different nature, with Skarsgard's interpretation being far more animalistic and monstrous than Curry's well spoken albeit sadistic evildoer. Either way, Skarsgard is a highly frightening foe, and the cruel, dark sense of humour the character adopts when haunting it's victims is nicely captured without loss of the overall fear factor. The design is just as compelling - perhaps a tad too blatantly creepy if Pennywise has a goal of attracting young kids, but still something stylistically dark and unique. This, coupled with some impressive visual effects during some of the film's major scares as well as Skarsgard's superb acting, certainly renders Pennywise a thrilling foe from start to end.

But it's not just Skarsgard who performs well - the Losers Club surely isn't an easy handful of characters to bring to life on the screen considering their age, but It has an impressive lineup of highly talented youngsters in the lead roles, namely Jaeden Lieberher who delivers an emotionally stirring performance absolutely masterful for someone so young. It's this high quality acting, alongside the fab visuals and sound design, that makes It such a chilling experience - yeah, some of it is a wee bit loud (especially in IMAX), but the many scares are thankfully far from cheap jumps. Perhaps a principle flaw does lie within the slightly bloated runtime and occasional jarring tonal shifts, with chills becoming chilled in some abrupt transitions, but an otherwise solid structure, talented cast, and well crafted scares make It a worthy adaptation of an iconic novel, and I'm certainly anticipating the next chapter come 2019.